Find Melody Composer Skip Start again. Time to write your lyrics. The lyrics give meaning to your song. You may already have an idea what your song is about. Work with an award-winning songwriter from Gemtracks to brew up something poetic and meaningful. Find Lyricist Skip Start again. Find a singer to record a demo track. Gemtracks has a directory of professional singers that can record a demo track for you.
Find Demo Singer Skip Start again. Record your vocals in a studio. With your demo track ready, it's time to hit the recording studio.
Gemtracks gives you priority access to exclusive A-Class recording studios around the world. Engineers in the studio will set you up and guide you through the recording process.
Search Recording Studio Skip Start again. Find a mixing engineer. With your recorded vocals, your song is still not complete. Find a mixing engineer to combine your beat and vocals so they "sit" together.
Find a mixing engineer on Gemtracks now. Find Mixing Engineer Skip Start again. Master your mixed song. The last step is to master your mixed song.
Do not skip mastering! Use Gemtracks to find a mastering engineer to put the final touches on your song. Find Mastering Engineer Skip Start again. Well done on finishing your song! Now expose your song to as many people as possible to win new fans.
Submit Your Song Start again. How It Works. Collaborate with a professional music freelancer. Book a recording session from one of our studios worldwide. Send your beat, vocals and files to an engineer to mix and master. Submit your song to record labels, playlists, etc. Full master ownership. No royalty ever. Unlimited distribution. Release to all platforms, including Spotify and radios. Each track is only sold once. Hip Hop. All Genres. Record in a World-Class Studio Bring your beat to a studio and record your vocals.
Submit Your Song to Curators Recorded your vocals over your beat and mastered your song? If your music gets rejected, get a review on your song. Chris Fitty. Tera Mangala Meditation Music - Ambient music.
Michelle Packman. Live String Production Hey guys, I am a cellist and I either play violin and viola myself or if I'm super booked I send the upper strings to my crew. Start Job. For You Eyes Only Octopussy Titulo : Octopussy A View To A Kill The Living Daylights — Titulo : The Living Daylights — Licence To Kill Titulo : Licence To Kill GoldenEye Titulo : GoldenEye Tomorrow Never Dies Titulo : Tomorrow Never Dies The World Is Not Enough Die Another Day Titulo : Die Another Day Casino Royale Titulo : Casino Royale Quantum Of Solace Titulo : Quantum Of Solace Casino Roayle Titulo : Casino Roayle Never Say Never Again Titulo : Open any editor Audacity, Sound Forge, Abobe Audition , select any fragment of an original song without voice and copy it again and again.
But problem is that the song's arrangements are very sophisticated sometimes and you'll not be able to find a good piece to copy-paste a bridge, for instance.
That is where the work of voice-removal and voice-reduction instruments. Let's look at what's happening with the sound when we apply voice-removal, why is this so ugly and your ears go numb when you listen to such phonograms. Voice removal tools make a new copy of an original mix where the vocal is looking like deleted with the help of phase inversion.
Practically, yes. Not only lead singer's signal is destroyed this way! Not only the main vocal but also other instruments are located in the center of stereo pan. These important instruments include bass and kick. While we increasing the level of phase inversion, distortions will appear inevitably and be noticeable by ear. Bass and kick will suffer first it causes psychoacoustic factors. Strictly speaking, 99 percent of sounding instruments are presented in the center one way or another, and the whole phonogram will suffer.
This is a lion's share of a good commercial mix. Let's take to account that delays and revs occupy all width of the stereo base and fly away all over the stereo panorama. Their sounding merges with all the rest instruments, and the so-called masking effect acts. Even if you decide on making it, you will have to delete all music, leaving just the stereo panorama periphery, its leftmost and rightmost points.
That's why phonograms got by the voice-removal method have unpleasant characteristic artifacts and overtones, being easily differentiated while hearing and not disposing of high sound quality. For those, who still want to experiment with vocal deletion, we have a fully automated online tool. You can try in by this link. Download any file in mp3 format and receive a result in the form of the link for downloading! The reason is not in that scientists do not think about musicians, the reason is that the music has a very complex physical and psychological nature, perception of music is grounded on some psychoacoustic phenomena, and all these things are interwoven into our concept, and poorly formalized.
It makes music hardly preparable even with the most advanced existing technologies! We can say that we're only in the beginning. So, let's make interim conclusions of our discourse. Voice removal tools are simple, but they work as uglyfiers, with a huge loose of quality. Karaoke is commonly accessible but not flexible.
What should we do? Would you like to record all parts yourself? Do you play all the instruments well? Do you have backing vocals or you sing well?
Is your hearing good enough to transcribe all parts exactly? Do you have a lot of time to do all this? But what if you have a busy schedule, and tomorrow you need, let's say twenty new backing tracks? All that can only lead to one conclusion. Let us finally say to you this magic word Every instrument is recorded separately in isolation of others in the multitrack source and saved in a separate file. You can apply any settings equalization, compression, or reverberation to any channel or a group of them.
All you have to do is to download the set of files to your favorite program! One more big advantage lies in a more qualitative transposition the tonality change in comparison with an ordinary phonogram. In a multitrack, you get an opportunity to transpose every track separately: signal interpenetration will be lower; the level of noise will decrease in accumulating signals.
Compare and feel the difference! Here is the example. You get an opportunity to create lots of mix versions. You can replay any part in a multitrack. Also, you are able to prolong or shorten songs on several bars, inset new solo or full episodes due to copying and inserting, and hide all patches carefully. It allows verifying accompaniment. Change arrangements to your taste! The process of multitrack modification is simplified thanks to the fact that they have separate metronome tracks except for composition in free rhythmic and rubato , instruments are synchronized with each other, all channels are synchronized with clicks, and count-offs are added after all pauses, fermatas, and long stops.
We choose the most suitable performers from the most brilliant singers and musicians all over the world for every record. Having agents in all continents, we always search for talents and expand the base of performers. The most advanced sound equipment of nowadays is installed at our studio. We control signal purity, mix transparency, the number of restarts to restore, the lack of interferences, noises or hisses, feedback, groundloops, non-linear harmonics, and other unpleasant phenomena that occur while recording, processing, converting, and coding signals.
You always get an ideal signal! They all have the right dynamic balance and panorama. The mix sounds perfectly in any hall and on any equipment.
Our multitracks are intended not only for vocal but guitar , drums , keyboards , bass, saxophone, accordion, and any other instruments. Why is it so significant? Vocalists mostly use standard phonograms from the Internet; they are often of a bad quality. All instruments are recorded as one track on such phonograms. Vocalists download them, learn materials, then come to a concert with a flash card, and make their accompanists and instrumentalists, who are actually dependable on them, perform with them by this phonogram.
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